Tag Archives: revolution

black august.

black -the color of my true love’s hair- is also the name given to my skin. and I take that name back in pride because there is nothing but strength in this flesh. i carry on, for my ancestors, the memories and experiences of lives gone by and struggles for liberation. we sing our freedom songs to one another where ever we meet: on corners- congregation pews- jail cells- bus seats- sin shacks- chat sites- taxis- dark rooms- and living rooms.

black august is the name we have given this month. in honor of all the triumphs, tragedies and challenges that Africans have faced since coming to these shores. it is also in ceremony and remembrance of fighters that we bless this cycle.

The universe has witnessed major points of african struggle, rebirth and genius in this special month: The first official slaves were brought to this country in August 1619. A general strike of slaves was called for in August of 1843. The Underground Railroad’s founding date is in August. The rebellions of Nat Turner (1831) and Gabriel Prosser (1800) were in August. The MOVE house was bombed by the state in August of 1978. Fred Hampton and Mutulu Shakur are August births. DuBois died in Ghana in August of 1963. and Jonathan Jackson, in protest of his brother George’s arrest, attempted to liberate his kin by taking hostages in the Alameda Courthouse and was killed.

we must remember our moments here. one of the greatest tools of the oppressor is to take away our connections with one another. with our history. with our knowledge that pain and suffering are not infinite and do not have to be. we can create and dream of something better. this sky is the same one that revolutions have been dreamt under and that our revolutionary foremothers moved under.

and these are thoughts for inspiration

thoughts for revolution

the people must be free.

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http://crunchforhire.tumblr.com/

Hey dreamers, schemers, creators, and righteous believers,

In my journey through the arts and life I have decided to become an artist for hire. Here is a link to a tumblog that only features my art. I will be updating it weekly. Please feel free to hit me via email or tumblr if you’d like to know more, collaborate or buy something. =)

Peace after revolution.

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July 9, 2012 · 8:05 pm

Spells is Might.

spells is might.

they mean no harm to the people nor are they thoughts of the sinister.

spells is power and healing and love open ended and over flowing.

They is intentions sat down by our people, for centuries, under this very sun. And we existed in their embrace- guided by natural intuition and inclination. To cast a spell is to send out a thought to the universe- a blessing of peace and purpose.

bad spells. wicked womyn and forked tongues came with capitalism and the white colonizer seeking to take the resources of of womyn and people of color alike. Salem womyn. Witch womyn. Bitches they were under the male gaze. They communed with one another, prayed for one another

both blessed and affirmed one another through the healing of the Earth- our mother.

black magic. painted like the very skins who practiced it- another white myth.

my people saw sun and moon. dreamt in dirt, rose and ran in fields. laughed in the rivers i’ve hoped to know and made life accordingly. They saw signs and felt vibrations.

we honored the earth. and in turn were blessed.

a spell is a reflection of that very truth. It is a soul gift given from one to another. spells ain’t evil. They’re the makings of life.

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Waves of Unrest

He is a Black man-

walking side by side, my lover and I cause panic.

A sea of unrest sits on the faces of white womyn as they run further into themselves and the lies told to them.

I wait on coke cans and such when he sends me a line asking to be held

and I reply “come over.”

I hear sirens outside

and that terror mounts.

He is a Black man-

walking to me at night,

my lover may trigger panic and

die by waves of unrest.

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The In Between Papers

I write out of a need to understand the movings inside of me. I write because I want to be able to speak to the raging war and understand it’s factions. I write because I want to own my reality for myself. I write because I want to know myself.

My life has been sprawled throughout dungeons and meadows. I can only understand it through the movement of thought and pen. My life has been shaped by capitalism, racism, patriarchy, ego, and conscious movement. Writing has always served as a way to anchor my experience and seek for the tools of liberation. One of the key components to our rescue from this societies wickedness is an unflinching understanding of the dialectics of our inner workings. My queer and feminist foremothers understood this is the 60’s when they declared the personal to be political. My African ancestors understood this when they created art that reflected and served a purpose in their material lives. My writing is my therapy. It is my spear. I hope to liberate myself and in that process – reach others, build with others and create a new proposition. a richer revolution.

Last week I completed my second chapbook (collection of poetry): “The In-Between Papers”. This small collection of thoughts and prose holds big meaning for me. It is a collection of emotions- understood and cried over. Embraced and celebrated- over the past year. The narrative of the past few months is an intense one as you might imagine from the poetry and writing on this blog. I have found value in owning my truth and sharing it when useful. It helps to lesson the burden or secrets on your heart and helps to place you in the center of your own reality- as an active participant. Folks often draft fantasies out of their lives. They don’t see their own movement within their circumstances and in many instances continue to repeat them. I hope that by sharing these thoughts I can contribute in some way to the growth of someone outside of myself and that I can continue to create, within myself, someone more ready for revolution.

If you would like a copy of this chapbook, hit me in an email! I’d love to send you a copy!!

You can reach me at: cliftonrashad@gmail.com

*special thanks to the Corner Collective for inspiring and pushing me to get this done!

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Wings

Image

Mama’s smile has wings

and her arms- warmth.

She’d make sure our water always had sugar and that the stench of poverty never sat on our clothes too unevenly.

She tried to build us with blocks of her own making-

Trust and confidence,

love and faith,

endurance,

strength,

pride and self worth.

Mama sat hiding crack pipes and upturned bottles

Throwing all the nasty bits behind the couch where she thought we didn’t see them.

Sending us floating on smiles.

Mama’s love set foreign standards on our project block

She meant it to carry on . . .

But you can’t make love real for another’s heart.

No more than you can stop the passing sands

And mama’s love can over carry over only so much into the world without her.

There comes a time where us got to find our own.

And grow in it for ourselves.

And you should never mistake the intimacy that comes at the start.

The feelings moving about between moist flesh

and the thoughts dancing about like wonder

The quiet on his face.

Id wish to reshape it-

the space, touch his face and rest.

But sometimes smiles can mean other thangs

and a kiss can be empty.

Love like there is in this world misleads.

Misinforms.

And mistreats.

Leaves you alone and believin’ friends to be lovers and lovers to be eternal

and so on and so on.

I found my love in my wash bason.

Clinging to dirt, reaching for me.

I took a rag and wrapped it.

Whispered to it.

Held it.

Read it for what it was and placed it down.

Talked it off the ledge it was on, in my room.

Amongst all the misfortune and patriarchy.

In my heart theres a space for hope to land.

Dig roots and lead.

And theres a place for my love to breathe.

Move past the manipulation and define itself for itself.

Something like a resolution came about as I went to sleep.

A promise to do better with ourselves.

To teach others how to treat us through how we treat ourselves.

To be able to stand to them and say:

“I am the somebody I want to love”

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An Involuntary Recognition of Life

Some calm . . .

setting like sun done come upon me

as I find pieces of myself that were kept away for birthdays, family gatherings, and first dates.

They lie tucked under the bath house bed.

My palm, pressed to skin, feels like solace and I feel still

Laying transfixed, still. . .

My eyes find some man being fucked, violently

His head bent low.

and I saw you laying parallel.

Playing majorette with a couple of torn heart-strings.

Twirling about with some other man’s ruined symphony.

You blew smoke- thick like illusion – and sang of worlds where we weren’t prey for White men eager to waste salt on our endings.

Some part of me sat with you back when food was homemade and basons were bath tubs and we laughed at uncle Floyd’s missing teeth

and dirt roads that no one can drive on

and night’s out and even crack pipes

and we laughed.

And thought on how ghetto life seemed easy compared to this numb terror.

Still . . .

Barely understood thoughts: gold bands and dark skin

Sarah Bartman

melon patches

mule bone

Hurston and Hughes.

gin joints

spades tables

grandma’s hands

reconstruction

a month of Sundays

Loretta

pale skin and Betty Gene

South Carolina

insertion and pain

bleeding at the start

black balls

white dolls

and minstrel shows

money shots, towels and still . . .

we all lay under some White man’s gaze.

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The Artist and The Revolution II: Nina Simone

To create art in the service of life. My earliest memories of Nina are of my mother wrapping her head with kente cloth in the bathroom. In those days I didn’t like the sound of Nina, her voice put me off, it didn’t sound like EnVogue. Her lack of smooth vocals put her in the back of my mind.

In college, I found her again. She was tucked away in a series of clips from the civil rights movement. “I would have been a murderer” she boldly stated, later saying that she would go to the south and exchange bullet for bullet with the fascist white power structure. “Who is this womyn?” I thought. And then I heard this:

 

Never had I heard such passion. Never have I heard such a distinct sadness. Never had I heard someone reach though speakers and command that I listen. Command that I feel their profound emotion. In the service of the people, Nina travelled and played protest songs during the Civil Rights movement, including the anthem “Young Gifted & Black”. She represents a large portion of the Black population that lived under the threat of death in this country as they fought for freedom. At the same time, Nina is free. She lived as she sang. She lived a life of heartache, pride, disease, misery, joy, laughter, and contradiction and she lived it boldly. I see her as a jubilant womyn, someone who achieved a certain kind of clarity of spirit and freedom within the poisonous world we live in.

When I hear Nina sing I imagine Black children in fields running into and endless light, I see Harlem in the 1920′s, I feel my Grandfather’s breath graze my ear as he tells me stories of growing up in South Carolina in the 20′s, 30′s and 40′s. I feel connected to this vast history of Black life and struggle, to this search for liberation and I am saddened to think on the history of my people and others out at sea searching desperately for port. She means that much to me.

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Secret Forts.

I would like to say that I have always had a leaning towards revolutionary politics that my heart has always held the fire of truth and the need to press it to earth until the flowers of revolution bloom, but that would be a lie. I came to understand and accept revolutionary politics within the last year, prior to this I had been pretty much an anti white- black nationalist and in my youth, just filled with anger for and envy of the white elite. I make the distinction between my acceptance of revolutionary politics and my more previous selves because I believe that the dismissal of an entire group of people, while satisfying for whatever reasons and justified by certain reasons, is reactionary in the sense that it is not a scientific and sensible conclusion to dismiss people based on generalizations. When we talk about revolution, we are talking about a coming together of peoples for the liberation of the oppressed masses, which come in all shapes and forms. A recent post over at a comrade’s blog largely inspires this post.

Lately I have been feeling very depressed over the prospects of the building of a revolutionary movement because of the extreme patriarchy of the straight male leftist I have found myself around. I have no doubt that revolution will happen; I feel it as strongly as I do the first conscious breath in the morning.  What is concerning to me what kind of society and movement against White Supremacist Patriarchal Capitalism we are building in the here and now. It is increasingly disheartening to be in spaces that don’t see the contributions of feminist thought and other gender oppressed folk to be as important as works about narrow definitions of class. In an environment of such intense class reductionism, where crucial theory is either left out of discussion or completely out of the practice of the revolutionaries real social interactions I have been left to ponder where my place actually is in this struggle. I see the struggle against Capitalism as one that must, at it’s core be anti-racist and feminist, because my life has not been merely shaped by being a person born into the ghettos of the United States. I am a Black Queer, which means my life and politicization has revolved around the politics of race and gender oppression under patriarchy.

We are not convinced, however, that a socialist revolution that is not also a feminist and anti-racist revolution will guarantee our liberation. We have arrived at the necessity for developing an understanding of class relationships that takes into account the specific class position of Black women who are generally marginal in the labor force, while at this particular time some of us are temporarily viewed as doubly desirable tokens at white-collar and professional levels. We need to articulate the real class situation of persons who are not merely raceless, sexless workers, but for whom racial and sexual oppression are significant determinants in their working/economic lives. Although we are in essential agreement with Marx’s theory as it applied to the very specific economic relationships he analyzed, we know that his analysis must be extended further in order for us to understand our specific economic situation as Black women.

-       Combahee River Collective

Growing up, I found myself in the margins of many conversations about Black people’s history and struggle. Not only were queer Blacks not mentioned in class or discussion, but also homophobia was a horror all too common. It was acceptable to see a gay man beaten near death, to approached in the dark by one of his straight brothers expecting sexual favors in exchange for survival, or to have a teacher tell queer students that the harassment they faced was due to their gender expression. There was no sanctuary or quarter. Appeal to the white majority, through escape to appeal to the police, was met with racism. Police didn’t care and White queers, in large, were out to exploit or exoticize. I found solace in the fact that one day I would be able to build my own community, something I learned through reading the fiction of James Baldwin and realizing that others like me existed.

As I entered the emerging student movement in 09’, I was introduced to the politics of Marx and Marxism. Immediately, I was taken back by the fact that I was expected to get down with some dead European, who was probably a racist ass. As I mentioned before, I developed an intense, at times, unbearable, hatred for white people. One thing I gained from organizing was the ability to see white people as allies for the cause of ending the budget cuts. It wasn’t until reading more works of Marxist past that I was able to begin to understand how we are all connected under the dictatorship of the capitalist and how our particular oppressions connect and shape us. This inspired a compassion within me, even for those who I saw as beneficiaries of privilege or oppressors.

I identified with the struggles of revolutionaries of all backgrounds because I understood that the struggle to end racism and patriarchy cannot be done in isolation from the struggle against capitalism, which springs from and uses these wicked roots to enslave us all.

Coming into myself more in organized bodies and struggle against the budget cuts, brought me to the understanding that I must articulate my thoughts for myself in order to not be crushed under the growing pressure of giving myself to the struggle. It was my responsibility to contribute to discussion about direction and practice. In observation and practice two things became apparent to me: work in many organizations was valued when it could be quantified and class struggle often meant that race and gender were things that could be dealt with after the discussion of “real politics” was done. Something fell off a shelf in me. It was my utopian picture of revolutionary and militant organizations. They were places that like the rest of the world, needed to be struggled within. I began to feel marginalized and uncomfortable as the parade marched on, often taking a back seat to certain conversations because I felt that it wasn’t my place to speak if my opinion and lived experience wasn’t what mattered.

I found strength and courage in my female comrades, some of whom were also queer, they lent validation to my thoughts. Their struggles in building organizations with gender-privileged comrades were stories for me to learn from.

As I stated in a previous post, I believe that safe space, often mislabeled separatist, organizations need to exist in conjunction with integrated ones. I am a staunch believer in the fact that oppressed people reach a certain deepness of discussion and healing in circles of people who have similar lived experience and that this gives them the strength and tenacity to be able to enter into bigger orgs and to argue for their positions. It is also imperative that larger integrated organizations not rely on the few people of color, or gender oppressed people to be the sole teachers of their specific oppression. It is the task of the revolutionary to educate and seek out knowledge on his or her own, at times, and to not find themselves solely reliant on their partner or Black friend for that particular history and it’s relevance to revolutionary struggle.

At this point I find myself at a new beginning. I am eager, in this new year, to put my thoughts into practice and help to build dual power in the left for the gender oppressed. I believe to my core that if we are not serious in incorporating feminist analysis at the core of our challenging of power, then we are doomed to a kind of winter. And for the sake of the revolutionary movement, we need passion fueled by warmth, enough to birth three summers.

I want to leave off with a poem that not only sums up how I feel but that has also been very key in my political development:

I believe in living. I believe in the spectrum

of Beta days and Gamma people.

I believe in sunshine

in windmills and waterfalls,

tricycles and rocking chairs.

And I believe that seeds grow into sprouts,

And sprouts grow into trees.

I believe in the magic of the hands.

And in the wisdom of the eyes.

I believe in rain and tears.

And in the blood of infinity.

I believe in life.

And I have seen the death parade

march through the torso of the earth,

sculpting mud bodies in its path.

I have seen the destruction of the daylight,

and seen the bloodthirsty maggots

prayed to and saluted.

I have seen the kind become the blind

and the blind become the bind

in one easy lesson.

I have walked on cut glass.

I have eaten crow and blunder bread

and breathed the stench of indifference.

I have been locked by the lawless.

Handcuffed by the haters.

Gagged by the greedy.

And, if I know anything at all,

its that a wall is just a wall

and nothing more at all.

It can be broken down.

I believe in living.

I believe in birth.

I believe in the sweat of love

and in the fire of truth.

And I believe that a lost ship,

steered by tired, seasick sailors,

can still be guided home

to port.

-  Affirmation, Assata Shakur

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The Artist and the Revolution: Emory Douglas

We are starting a new Sunday Series over here at “. . .Or Does It Explode” called “The Artist and the Revolution”. Each week, similar to “Legends of the Ball” we will feature an important artist who has contributed to the building of a new society, who has contributed to the revolution. First up. . . EMORY DOUGLAS!

 

Reflecting on revolutionary movements always brings me back to Emory Douglas, the Minister of Culture for the Black Panther Party.  The breath of his work in the party is astonishing and commands respect. There is always talk about how artist are the first to be corrupted or to be turned away from revolutionary struggle, because artist are seen as reflectors. They are seen as people on the fringes of the movement articulating more creatively what other militants are putting forth with no greater connection to the struggle than their contribution of talent. And while this may be true of some I believe that it is a very narrow and simplistic view of the artist and the revolution. Hearing Douglas speak and looking at his work it become all too clear to me that artists, visual and performance, are essential to the building of a movement. Art holds the potential to touch people in ways that words shouted at rallies through amplifiers can never achieve. It is because the need to create and articulate experience is something that is at the core of human experience. It is the light in all of us and when we see it in a revolutionary context it becomes potent. Light reflecting struggle.

 

Here is an interview with the man himself, done for the “Eyes on The Prize” series.

http://digital.wustl.edu/cgi/t/text/text-idx?c=eii;cc=eii;rgn=main;view=text;idno=dou5427.0326.039

 

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